One part jangly guitar riffs à la The Smiths and one part disheveled punk, the Drowners love-filled debut is a testament to the gritty New York reality that’s helped craft perfect pop songs for generations.
“The GRAMMYs actually heard the song and they stepped up right beside me, saying, ‘Hey, we hear you. We get it. We’re with you.”
GRAMMYs exec producer Ken Ehrlich on how Kendrick suggested a collabo with Imagine Dragons and what goes into getting Beatles together.
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.
“I think one of the first lines I wrote from that song,” Lorde told Radio.com, “which was, ‘We’re driving Cadillacs in our dreams,’ was in a diary that I had when I was like 11 or 12, so young.”
Lorde titled her debut LP Pure Heroine, a fine if not dangerous play on words, pairing the slink and sex of broken rock n’ roll dreams with a model of feminine power. Little did she know that “Pure Heroine” would be a self-fulfilling prophecy.
If waiting for a Google alert for “Stones tour” to yield some news becomes tiresome, fans can do far worse than re-watching the Stones’ 2008 concert film Shine A Light, directed by Martin Scorsese.
As chronicled in the documentary…
For this installation of GRAMMY Gourmet, we spoke with Homme about his relationship with Bourdain, his favorite recipe (sorry folks, recipe’s secret), and advice for all those aspiring chefs out there.